Last Saturday night, I visited the Guggenheim Museum for the KANDINSKY exhibit, a full-scale retrospective of the visionary artist, theorist, abstraction pioneer, and seminal figure in the history of the museum. Saturday is "pay-what-you-wish day from 5:45-7:45 PM (normally $18) at the Guggenheim Museum which is located at 1071 Fifth Avenue (at 89th Street). The Kandinsky exhibit will be presented through January 13, 2010.
From the Guggenheim Museum website:
This exhibition is organized by the Solomon R. Guggenheim Foundation, New York, in cooperation with the Städtische Galerie im Lenbachhaus und Kunstbau, Munich, and the Centre Pompidou, Paris. This retrospective will bring together more than 100 paintings drawn primarily from these three institutions, whose collections comprise the three largest repositories of Kandinsky in the world, as well as from significant private and public collections.
Kandinsky is curated by Tracey Bashkoff, Associate Curator for Collections and Exhibitions at the Solomon R. Guggenheim Museum; Christian Derouet, Curator at the Musée national d’art moderne, Centre Pompidou, Paris; and Annegret Hoberg, Curator at the Städtische Galerie im Lenbachhaus, Munich. Karole Vail, Assistant Curator, assisted with the organization of the New York presentation.
The exhibition will offer a comprehensive chronological survey of Kandinsky’s work through a selection of his most important canvases, including examples from his series ofImprovisations, Impressions and Compositions, while investigating his formal and conceptual contributions to the course of abstraction in the twentieth-century. The unprecedented collaborative efforts of the Guggenheim, Pompidou, and Lenbachhaus will assemble works that have rarely traveled together, such as Munich’s early masterpiece, A Colorful Life (1907), or the Guggenheim’s Light Picture (1913) - a seminal work among the first of Kandinsky’s truly abstract canvases which has not even been exhibited in the museum’s own galleries since the 1970s - offering new contexts and comparisons for those works that have been held apart.
Under the care and preparation of the Guggenheim’s conservation department, four canvases considered extremely delicate due to the artist’s use of sand mixed into his painting medium, will travel for the first time in decades. Significant loans to be confirmed from Russian institutions such as Nizhni Novgorod State Museum, the Pushkin Museum of Fine Arts and the State Tretyakov Gallery will introduce works little seen in the United States. The survey will trace Kandinsky’s vision through thematic motifs, such as the horse and rider, mountainous landscapes and tumultuous seascapes, apocalyptic imagery and other religious subjects, and follow the artist’s painted realizations of his well-developed aesthetic theories, allowing a re-examination of the geographical- and time-based periods traditionally applied to his oeuvre.