New Media Artist JIM CAMPBELL's "Broken Window"

Broken Window is a new art installation by artist Jim Campbell in Madison Square Park. It is situated near the main entrance to Madison Square Park at 23^rd Street and Fifth Avenue. The installation is comprised of an array of LEDs encased in a glass-brick wall (70”h x 70”w x 10”d) creating illuminated images that appear to glide across the glass plane, reflecting the movements of the city around them. Above I captured a running taxicab illuminated in the glass wall. The installation will be on display until February 2011 (Source: Madison Square Art).

About Jim Campbell:

Jim Campbell was born in 1956 in Chicago and educated at M.I.T., earning degrees in Electrical Engineering and Mathematics. A former Silicon Valley engineer, Campbell has emerged as one of the preeminent new media artists of this generation, inspired by 1970s research conducted by Bell Labs on low-resolution imagery and cognitive thresholds for accurate perception. Pixilated digital imagery has since become the lingua franca of contemporary visual culture and communication thanks to digital technology’s transformation of the way our society creates, shares and preserves images.  Campbell’s art reduces both static and moving imagery to its barest essence—the pixels that serve as the elementary building blocks of so much of what we see—and poeticizes it, creating a space of exchange between artwork and viewer in which the human brain provides context and meaning to meticulously ordered and animated fragments of light.

Campbell’s work is included the collections of institutions such as the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The Smithsonian Museum of American Art, Washington, DC; The Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art. He is the honored recipient of various public art commissions and awards including a Guggenheim Fellowship Award, Langlois Foundation Grant, and a Rockefeller Fellowship Award in Multimedia, among others. As an engineer, Campbell holds more than a dozen patents in the field of video image processing. His monograph Material Light was published by Hatje Cantz in 2010. Jim Campbell lives and works in San Francisco and is represented by Hosfelt, San Francisco and Bryce Wolkowitz Gallery, New York.

Jim Campbell's SCATTERED LIGHT Premiere At Madison Square Park

 

Using a Grand Central Terminal footage, Mr. Campbell programmed the LED lights to display low-resolution, moving images as individual pixels within the array.

video from abernheimer

Scattered Light, the New York public art debut of pioneering new media artist JIM CAMPBELL opened this evening at Madison Square Park. Campbell’s exhibition features three new major public art commissions, including "Scattered Light," his largest and most ambitious work to date. This mesmerizing public art installation runs through the fall and winter.

From http://www.nycgovparks.org/art and https://www.madisonsquarepark.org

With "Scattered Light," Campbell has hung nearly 2,000 LED lights, encased in standard light-bulb casings, from a massive suspension truss standing 20 feet high and stretching 80 feet down the center of the Oval Lawn. These LEDs have been programmed and sequenced by Campbell to turn and off in such a way that from the pathways of Madison Square Park—and from the major avenues beyond the park’s boundaries—it will appear as though the shadows of people and animals are passing across a massive, gently-undulating amorphous field of light.

Jim Campbell was born in 1956 in Chicago and educated at M.I.T., earning degrees in Electrical Engineering and Mathematics. A former Silicon Valley engineer, Campbell has emerged as one of the preeminent new media artists of this generation, inspired by 1970s research conducted by Bell Labs on low-resolution imagery and cognitive thresholds for accurate perception. Pixilated digital imagery has since become the lingua franca of contemporary visual culture and communication thanks to digital technology’s transformation of the way our society creates, shares and preserves images. Campbell’s art reduces both static and moving imagery to its barest essence—the pixels that serve as the elementary building blocks of so much of what we see—and poeticizes it, creating a space of exchange between artwork and viewer in which the human brain provides context and meaning to meticulously ordered and animated fragments of light. Campbell’s work is included the collections of institutions such as the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; The Smithsonian Museum of American Art, Washington, DC; The Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art. He is the honored recipient of various public art commissions and awards including a Guggenheim Fellowship Award, Langlois Foundation Grant, and a Rockefeller Fellowship Award in Multimedia, among others. As an engineer, Campbell holds more than a dozen patents in the field of video image processing. His monograph Material Light was published by Hatje Cantz in 2010. Jim Campbell lives and works in San Francisco and is represented by Hosfelt, San Francisco and Bryce Wolkowitz Gallery, New York.

In Progress: Light Artist JIM CAMPBELL's Installation of "Scattered Light" At Madison Square Park

(See the night time photos from the Scattered Light Premiere at Madison Square Park)

Last Sunday, I captured these images of workers installing a new artwork by San Francisco-based light artist , JIM CAMPBELL at Madison Square Park. The art installation will open tomorrow, October 21. The main piece, called "Scattered Light" is being installed in the park's central oval lawn and features 3-D matrix of about 2,000 LEDs hanging on an 80-feet-wide support and displaying flickering human silhouettes when seen from a certain vantage point. (information from http://www.nycgovparks.org/art and https://www.madisonsquarepark.org). From other angles, the play of flickering lights will seem abstract, but still beautiful and interesting to watch. The main piece will be accompanied by two other components for the show that will run through this fall and winter (December 10).

Mr. Campbell was first trained as an engineer, and most of his work incorporates very complex lighting rigs, elaborate video systems and very unconventional screens. The centerpiece of his show this spring at Bryce Wolkowitz Gallery in Chelsea, Exploded View, looked like a group of elegant, scintillating light garlands, except at one angle, from which a short video loop showed a human silhouette running, falling, getting up and running again until it fell. "Scattered Light" will be very similar, except that the blinking light-bulb figures will be life-sized.