Showing posts with label The Scream. Show all posts
Showing posts with label The Scream. Show all posts

Wednesday, October 31, 2012

MoMA's Pastel Version of "The Scream"

"Jealousy 1"
"Melancholy" (1891)
"Self-portrait"
video of auction for "The Scream" at Sotheby's (by Associated Press)
Now on exhibit at the Museum of Modern Art is the $120 million pastel version of Edvard Munch's iconic "The Scream." This is one of four versions of the famous painting. The other three versions are in Norway. Rafael Cardoso, the great-grandson of Berlin banker Hugo Simon who owned the piece in the 1920s and 1930s, told the Post that "his forbear had to sell the treasure when he was declared an enemy of the state and driven from Germany after the Nazis came to power in 1933," explaining, "He was living under direct threat to his life." A historian at the Holocaust Museum in DC confirmed that during that time, "Jews were giving up what they couldn’t hide," which is probably why Simon had consigned the piece to a Swiss gallery. In addition to "The Scream", several prints by Munch are also on display including those pictured above. The exhibit continues through April 29 next year.

Thursday, May 3, 2012

Edvard Munch’s “The Scream” Sold for a Record $119.9 Million at Sotheby's

"The Scream" poster outside Sotheby's
Edvard Munch’s famed 1895 painting called “The Scream” was auctioned for $120 million at Sotheby's last night, becoming the world’s most expensive artwork ever to sell at auction. The work, a pastel on board, is one of four versions created by Edvard Munch; the other three are part of collections in Norwegian museums. This version of "The Scream" is considered to be the most vibrant. It was sold by Petter Olsen, a Norwegian businessman and shipping heir whose father was a friend, neighbor and patron of the artist. The unknown buyer bid over the telephone during the Impressionist and Modern Art Evening sale. The price surpassed the previous record, made two years ago at Christie’s in New York when Picasso’s “Nude, Green Leaves and Bust” brought $106.5 million.



Outside of Sotheby’s, demonstrators protesting the company’s longtime lockout of art handlers waved placards with the image of “The Scream” along with the motto, “Sotheby’s: Bad for Art” and "People Before Profit." The group is a mix of union members and Occupy Wall Street protesters. 

Wednesday, May 2, 2012

Impressionist and Modern Art Evening Sale at Sotheby's


Sotheby's is holding its Impressionist and Modern Art Evening sale tonight. The sale will be led by Edvard Munch’s "The Scream", an image that reflects the pulsating anguish of modern society. This painting is among the most recognizable images in the history of art. Executed in 1895, this work is one of four versions of the painting, and the only one still in private hands. Also on offer is a series of Modern masterpieces from the collection of Theodore J. Forstmann including a brilliant wartime portrait by Picasso inspired by his muse, Dora Maar, a monument to anti-painting by Joan Miro from 1931 and one of Chaim Soutine's most magnificent portraits,Le Chasseur de Chez Maxim's.

Saturday, April 28, 2012

Sotheby's Expects to Sell Munch's "The Scream" For 80 Million or More

Giant poster of "The Scream" on display outside Sotheby's
Sotheby's New York will auction the only privately owned version of Edvard Munch's painting called "The Scream" on May 2 where it expects to sell for over $80 million, the highest pre-sale value the auctioneer has ever put on a work of art. "The Scream" is one of the most instantly recognizable images in art and popular culture, second only perhaps to Leonardo Da Vinci's "Mona Lisa". The 1895 work is owned by Norwegian businessman Petter Olsen, whose father Thomas was a friend, neighbor and patron of Munch, the auctioneer said on Tuesday. There are four versions of the famous depiction of an apparently screaming figure. The three others are part of Norwegian museum collections. The painting aims to to convey Munch's anxiety in the hills above Oslo and has been interpreted by many as the embodiment of modern-day anxiety and existential angst.