Saturday, September 18, 2010

Brooklyn Academy of Music Presents The Black Rock Coalition Orchestra At Bryant Park Fall Festival

Last night, the Black Rock Coalition Orchestra performed a retrospective of the funk/rock group WAR at the Bryant Park Fall Festival, which is in full swing at Bryant Park. The orchestra performed songs including All Day Music, Cisco Kid, Deliver The Word, Four Cornered Room, Galaxy, The World Is A Ghetto, Tobacco Road, River Niger, Why Can't We Be Friend, Me and Baby Brother, Spill The Wine, and Low Rider Slippin' Into Darkness.

Here is the Festival's full schedule (from bryantpark.org):

Tuesday, September 14, 2010


Wednesday, September 15, 2010


Thursday, September 16, 2010


Friday, September 17, 2010


Saturday, September 18, 2010


Sunday, September 19, 2010


Monday, September 20, 2010

Friday, September 17, 2010

Turkish Days in New York 2010

Turkish Days in New York, the biggest Turkish festival to have been organized in New York so far,  started in Grand Central Station last Thursday. Both sides of Vanderbilt Hall were redesigned for the festival (September 16-17). Vanderbilt Hall had a completely different ambiance with two giant two-dimensional photographs of İstanbul’s Yeni Cami mosque. Stands introducing traditional arts and crafts were set up, with ushers in various styles of clothing symbolizing the many civilizations that were established in Anatolia. The festival continues on Sunday, September 19 for the GRAND BAZAAR IN THE CITY (9 AM to 6 PM) at 41st Street, betweem 6th Avenue and Broadway. The TURKISH MOVIE FESTIVAL will take place on September 20-21 (7 PM-11 PM) at the New York Film Academy.

"Living Pavilion," Planted Milk Crate Art Installation on Governor's Island

This is the LIVING PAVILION, installed on Governor's Island for the entire summer season. The installation is the winner of the City of Dreams Pavilion Competition 2010, and is designed by Ann Ha and Behrang Behin. The competition sponsors (FIGMENT, The Emerging New York Architects Committee of the American Institute of Architects New York Chapter (ENYA), and the Structural Engineers Association of New York (SEAoNY)) worked with the winning team to have the Living Pavilion on Governors Island for the summer season.


Ann Ha and Behrang Behin of Living Pavilion imagine a future in which nature is brought back into the city – not replacing its dense vitality, but adding some ‘green’ to the mix. Technologies such as green roofs and green walls will reduce heat-island effect and mitigate storm water runoff. Urban farms will provide nutritious locally grown produce to urban dwellers while making them more aware of where their food comes from. These developments will not only have a positive impact on the city’s environmental footprint, but will also enrich the lives of New Yorkers: they will add a new dimension to the urban experience, making possible new forms of spatial and architectural expression.

Living Pavilion is a low-tech, low-impact installation that employs milk crates as the framework for growing planted surface similar to a green wall. Living Pavilion aspires to create a synthesis of form, structure, light and life. The pavilion’s surface is planted with hanging shade-tolerant plants that will provide an environment maintained at a cooler temperature because of evapotranspiration from the plants. At the end of the season, the pavilion’s modular design will allow easy disassembly and distribution of the planted milk crates to the New York area for use in homes, public places, and community gardens.

Ann Ha received a Master in Architecture from the Harvard Graduate School of Design in 2008 and also holds a Bachelor of Design in Architecture from the University of Florida. Her GSD thesis, entitled Reinterpreting Governors Island, envisioned a strategy for adaptive reuse of the historic structures on the island by integrating landscape and architecture at different scales. She has worked at several U.S. architecture firms, including Single Speed Design, Maryann Thompson Architects, Marpillero Pollak Architects, and currently Workshop for Architecture.

Behrang Behin is trained as an engineer and architect, and takes an interdisciplinary, synthetic approach to design. He received a Master in Architecture with Distinction from the Harvard Graduate School of Design in 2008, after which he continued as an Aga Khan Fellow to study the intersection of technology, architecture, and sustainable urbanism. He has worked on international projects at several U.S. design firms, including Office dA, Hashim Sarkis A.L.U.D., REX, and currently Ennead Architects. Behrang also holds an M.S. in Electrical Engineering from U.C. Berkeley and a B.S. in Applied Physics from Yale.
(Information from figmentproject.org)

Thursday, September 16, 2010

Cleanliness Letter Grades In Restaurant Windows

Two months ago, the Department of Health started requiring some food service establishments to display their cleanliness letter grade near the entrances like the photos above that I took in my neighborhood on the Upper Eastside. The letter grades correspond to the sanitary inspection scores. NYC Health Commissioner, Dr. Thomas Farley said that the grade in the window will "give the consumer a sense of how clean the kitchen is - and it will give every restaurant operator an incentive to maintain safe, sanitary conditions." Not all restaurants have letter grades at present. It will take more than a year to grade all of the city's existing restaurants.

From the the Department of Health website:


Which establishments are graded? 

Some food service establishments that require Health Department permits will receive and post letter grades that correspond to their sanitary inspection scores. These establishments include most restaurants, coffee shops, bars, nightclubs, cafeterias, retail bakeries, and fixed-site food stands. This document uses the term “restaurants” to refer to all these establishments. 

Which establishments are not graded? 

Letter grades are not being issued to mobile food vending units, temporary food service 
establishments, food service establishments operated by primary or secondary schools, hospital- operated cafeterias, correctional facilities, charitable organizations (including soup kitchens or other prepared food distribution programs), or food service establishments operated by not-for-profit membership organizations, which serve food only to their members. 

What are the grades, and what do they mean?  

Grades reflect how well a restaurant complies with the food safety requirements of the New York City Health Code and the State Sanitary Code. When inspectors examine a restaurant’s sanitary conditions and practices, they assign numerical points for different violations of the Health Code. Different violations carry different numbers of points, depending on their nature and severity. The total number of violation points provides a measure of the restaurant’s general condition. Under the new system, the Health Department will use the scores from certain inspections to generate letter grades that are easier to interpret. Here are the grades: 

Grade A. 0 to 13 points for sanitary violations.  
Grade B. 14 to 27 points for sanitary violations.  
Grade C. 28 or more points for sanitary violations. 

   
Grade Pending. A restaurant’s B or C grade is not final until the restaurant has had the 
opportunity to go before the Health Department’s Administrative Tribunal to contest the 
violations cited against it. Until then, the restaurant has the option to post either the 
preliminary grade or a card that says “Grade Pending.” Once the grade is final, the restaurant 
must immediately post the letter grade card and take down the Grade Pending card. 

How should consumers interpret grades of B or C?  

In the first year or so of grading, we expect that most restaurants will earn a B grade. Restaurants with B or C grades should improve their overall food safety practices, but the Health Department immediately closes restaurants with conditions that may be hazardous to public health. 

Where can I search for restaurants or learn more about a restaurant’s inspection history? 

Visit nyc.gov/health/restaurants to see inspection details and to search for restaurants by grade, neighborhood, cuisine and more. 

Wednesday, September 15, 2010

STEPHEN SONDHEIM THEATRE Marquee Lighting

Stephen Sondheim, Patti Lupone and Tom Tuft
Patti Lupone
Nathan Lane
Stephen Sondheim
Stephen Sondheim's name is now in marquee lights of a Broadway theatre. Earlier this evening, the Stephen Sondheim Theatre marquee lighting took place at 124 West 43rd Street. To honor the most celebrated artist in American musical theatre, some of Mr. Sondheim's collaborators were present including Broadway stars, Patti Lupone and Nathan Lane, as well as librettist, John Weidman. Formerly the Henry Miller's Theatre, the newly constructed venue opened in the fall of 2009 and is operated by the Roundabout Theatre. 

ABOUT STEPHEN SONDHEIM (from Playbill.com)

Sondheim has one foot in the Golden Age of the American book musical (withGypsy and West Side Story) and one in the modern world of the concept musical, which sought to tell stories in fresh ways (Company, Follies, Pacific Overtures). Like his mentor, Oscar Hammerstein II, he changed the nature of musical theatre forever, influencing subsequent generations of writers.

Sondheim is the winner of an Academy Award, many Tony Awards, multiple Grammy Awards and a Pulitzer Prize. Some of his other accolades include a Lifetime Achievement Award from the Kennedy Center Honors (1993), the National Medal of Arts (1996), the American Academy of Arts and Letters' Gold Medal for Music (2006) and a special Tony Award for Lifetime Achievement in the Theatre (2008).

Sondheim wrote the music and lyrics for Road Show (2008), Passion (1994),Assassins (1991), Into the Woods (1987), Sunday in the Park with George(1984), Merrily We Roll Along (1981), Sweeney Todd (1979), Pacific Overtures (1976), The Frogs (1974), A Little Night Music (1973), Follies(1971; revised in London, 1987), Company (1970), Anyone Can Whistle(1964) and A Funny Thing Happened on the Way to the Forum (1962), as well as the lyrics for West Side Story (1957), Gypsy (1959), Do I Hear a Waltz? (1965) and additional lyrics for Candide (1973). Side by Side by Sondheim (1976), Marry Me a Little (1981), You're Gonna Love Tomorrow(1983) and Putting It Together (1993/99) are anthologies of his work, as is the new musical Sondheim on Sondheim. He composed the film scores of "Stavisky" (1974) and "Reds" (1981) and songs for "Dick Tracy" (Academy Award, 1990). He also wrote songs for the television production "Evening Primrose" (1966), co-authored, with Anthony Perkins, the film "The Last of Sheila" (1973) and, with George Furth, the play Getting Away with Murder(1996), and provided incidental music for the plays The Girls of Summer(1956), Invitation to a March (1961) and Twigs (1971). He won Tony Awards for Best Score for a Musical for Passion, Into the Woods, Sweeney Todd, A Little Night Music, Follies and Company. All of these shows won the New York Drama Critics Circle Award, as did Pacific Overtures and Sunday in the Park with George, the latter also receiving the Pulitzer Prize for Drama. Saturday Night (1954), his first professional musical, finally had its New York premiere in 1999 at Second Stage Theatre.

Tuesday, September 14, 2010

"Cinderella Table" by Jeroen Verhoeven and Demakersvan

On view at the Museum of Modern Art (Architecture and Design Department) is this "Cinderella Table" made of birch by Dutch born artist, Jeroen Verhoeven (born 1976) and manufactured by the Dutch design group, Demakersvan (est. 2004). Using computer software, the designers translated sketches of the profiles of two antique tables into digital drawings then made a rendering representing the two morphing into each other. Next, using computer-driven wood-cutting machines normally employed for mass production, they produced the drawing as a three-dimensional object, in thin vertical sections out of sheets of birch. Each slice was glued by hand to the next, forming a unique piece of furniture.