American Idolatry: JESSICA SANCHEZ Performs On The Today Show and Live With Kelly

American Idol runner-up JESSICA SANCHEZ visited the Today Show this morning and performed in the studio. As part of the morning show's Toyota concert series, the 16 year-old Filipino-Mexican American singer sang "I Will Always Love You" and "And I Am Telling You." She also guested on another morning show, Live with Kelly, where she also performed, "I Will Always Love You." The Today Show studio is located at Rockefeller Center while Live With Kelly studio is at 7 Lincoln Square at the southeast corner of West 67th Street and Columbus Avenue on the Upper Westside. 

ADAM LAMBERT Performs On "The Early Show" on CBS in New York City After ABC Canceled Performance On "Good Morning America"

After ABC canceled ADAM LAMBERT's scheduled live performance on Good Morning America, CBS played host to the American Idol runner-up earlier this morning at "The Early Show". The cancellation was due to Mr. Lambert's controversial and "sexually charged" performance at the recent American Music Awards.

This morning, I captured these images of Mr. Lambert's indoor performance through the glass wall of The General Motors Building, as well as the autograph signing for his loyal fans outside the CBS studio. During the interview with the Early Show host, Mr. Lambert explained his side of the much talked about AMA performance. In response to the complaints of parents who watched the AMA performance, Mr. Lambert commented that he is an entertainer, and not a "baby-sitter."

Adam Mitchel Lambert (born January 29, 1982) is an American singer, songwriter and actor from San Diego, California. In May 2009, he finished as the runner-up on the 8^th season of American Idol. The handsome and talented artist released his solo debut album, For Your Entertainment, on November 23, 2009. Mr. Lambert has previously played the role of Joshua in The Ten Commandments: The Musical at the Kodak Theatre alongside Val Kilmer. Lambert was one of the only actors in the play that garnered a positive review. He has also appeared in the musical Wicked as Fiyero in Los Angeles.

Video posted by zaziania

American Idolatry: KRIS ALLEN and ADAM LAMBERT Perform on the Today Show

Adam Lambert singing "Mad World"

Kris Allen


Youtube posted by toandang

American Idol KRIS ALLEN and runner-up ADAM LAMBERT performed earlier this morning at Rockefeller Plaza (48th St. between 5th and 6th Avenues) on the TODAY SHOW. (Images were made from the NBC telecast).

"Is ADAM LAMBERT gay?": The New York Times on the American Idol Favorite

Adam Lambert performing "Dancing Through Life" in the LA production of the musical WICKED (youtube video from razzledazled)

Featured in yesterday's Sunday Styles Section of the New York Times is an article by Guy Trebay entitled, "American Idol's Big Tease." The articles focuses on the popular and very talented contestant of the singing competition American Idol, ADAM LAMBERT. A clear favorite to be the next winner, Mr. Lambert sets off the internet's "gaydar." He dyes his blonde hair black, uses eyeliner, loves Cher, not into sports, and is "in touch with with his inner Maybelline girl." Is he, or isn't he? Can a gay contestant win? In my opinion, it shouldn't matter. This is a singing competition after all. And if Mr. Lambert decided to publicly address the the burning question, America will probably be yawning. Here is the New York Times article in its entirety:

You are Adam Lambert, the contestant widely tipped as a favorite to be the next winner of “American Idol.” And the only thing standing between you and riches and the chance to play arenas may be a question currently burning up the Internet: Can a gay contestant win?

Leave aside for a moment the answer to such a question, or even whether Mr. Lambert is gay. He may be. He may not. Fox, which owns “Idol,” is not saying; neither is the contestant himself.

What is notable is the intensity of the insinuations caroming around the Internet and in certain corners of the mainstream press — that and the fact that even asking whether a gay contestant can win a broadly popular reality show, whose survivors are selected by public acclaim, seems increasingly anachronistic in light of decisions in Iowa and Vermont to extend marriage rights to gay men and lesbians.

Still, ask they do. Pointing to “embarrassing pictures of Mr. Lambert circulating on the Internet,” photographs that show someone who looks uncannily like the contestant tongue-wrestling another man, the conservative commentator Bill O’Reilly inquired last week on his Fox News show, “These pictures that hint that he is gay, will they have an effect on this program, which is a cultural phenomenon in America?”

Cultural critics with a broader frame of reference than Mr. O’Reilly’s can easily contextualize Mr. Lambert in a long line of performers who tantalize the public with their talent and equally with their gender ambiguities. Think of Liberace. Think of Prince or Bowie or Elton John or K. D. Lang or Pete Wentz. “We have always had that person” on the pop landscape, said Aaron Hicklin, the editor of Out magazine. “The difference now is that previously the conversation about sexuality has not been as public. When Liberace was around, there was no real way to talk about this stuff.”

Now, of course, there is no way and no reason to stifle conversation about the signals Mr. Lambert appears to send in the form of song choices pilfered from the hope chests of anthemic divas (Cher’s “I Believe”); his bio (he was a child who enjoyed dressing up a lot but sports “not so much,” said his father in an on-air interview); and a theatrical style at times so arch that his country-night version of “Ring of Fire” evoked for Sarah Chinn, the executive director of the Center for Lesbian and Gay Studies at the Graduate Center of the City University of New York, “Joey Arias channeling Billie Holiday channeling Johnny Cash.”

According to a Gawker post last week, the “applause-o-meter” had Mr. Lambert pulling way ahead. “Might we actually get a Kris/Adam finale?” read the item, referring to Kris Allen, a generic teen idol type with a waxed cowlick and a lopsided smile. “Might, also, we get a Kris/Adam somethin’ else?’ Hah, doubtful. No one sees Adam without his skinsuit on, except maybe that fetching, fey little blond character they keep cutting to and describing as Adam’s ‘friend.’ ”

Predictable as the snarky innuendo is, it also struck a discordant Roy Cohn note, coming in the week when Vermont’s Legislature voted to override a veto by the governor and recognize gay marriage, adding the Green Mountain State to Connecticut, Massachusetts and Iowa in a list of states actively advancing the cause of civil rights for gay people. “The entire system is changing so rapidly it is not to be believed,” said David Ehrenstein, a Los Angeles based film critic and scholar who writes the hilarious Fablog.

America’s heartland, he said, turns out to be politically contiguous to its notoriously liberal coasts. “Iowa is apparently infested with San Francisco values,” he said.

Even the White House made a point of inviting lesbian and gay families to join in an annual Easter Egg Roll.

Thus it seems plausible that a person with more than a toe peeking out of the closet might actually win the most hotly contested singing show on the planet. True, it took six years of public insinuation before Clay Aiken, the popular also-ran from Season 2, made the choice in 2008 to come out. When he did so, however, the anticipated career-stall never happened. The news was greeted with a collective yawn.

“I see us as living in the post-Neil Patrick Harris era,” said Mr. Ehrenstein, referring to the actor who in 2006 trumped online efforts to expose his sexuality by publicly declaring himself gay to People magazine. “He crossed the Rubicon. He did the ‘sudden death’ play. Supposedly you come out and your career is over. He came out and his career is in better shape than it ever was.”

It is worth remembering how radical a shift this is in the public consciousness and that a half century ago, in the 1950s when the film producer Marina Cicogna first found herself in Los Angeles, as she recently told W magazine, studios forced Rock Hudson into bogus relationships with women and obliged gay actors “to lie from morning to night.”

In 1959 Liberace, the camp artifact best known, as one critic wrote, “for beating Romantic music to death on a piano decorated with a candelabra,” sued an English newspaper for libel for implying in print that he was gay. Given his taste for lacquered pompadours, rhinestone jumpsuits, white mink coats and pneumatic male personal assistants, it is hard now to imagine Liberace believing his public was deceived. But then it is still hard to square shifting public opinion with that of an industry that forces its gay talents to hide in plain sight.

When asked on the witness stand whether he was homosexual, Liberace emphatically told a judge: “No, sir! I am against the practice because it offends convention and it offends society.” He won the suit and damages and then, much later, was named in a $113 million palimony suit by his partner Scott Thorson.

“For a long time, gay men were very sensitive to being associated with effeminacy,” said Mr. Hicklin of Out. “It was highly objectionable, an example of stereotyping and caricature.”

Being photographed in drag or, as Mr. Lambert apparently was at the Burning Man Festival, wearing makeup and a thigh-high halter dress revealing enough to bring a blush to the cheeks of J. Lo, is far from a career-killer these days. “There was a common set of signifiers in theater and TV and popular culture that implied gay,” Mr. Hicklin said. “Gay men came to embrace all that because it came to feel far less threatening to be labeled in that way.”

Also, somewhat unexpectedly, heterosexuals took up the playfulness of gender ambiguity. “The gay thing got derailed by the way many straight guys started playing with image,” Mr. Hicklin said. Metrosexuals followed homosexuals out of the closet. Pete Wentz posed for the cover of Out. “Pete Wentz wears makeup and clearly is confident enough not to be threatened by any assumptions his fans or nonfans might come to,” Mr. Hicklin said.

Like Mr. Lambert — whose more steadily assertive gender games are likely to reach an apotheosis this week when the “American Idol” contestants are asked to perform their favorite movie song — performers are now free to treat real or putative gayness as another show business tool, a peekaboo game, a ploy. So-called low forms of sex relationship that entertainment industry codes once kept from being depicted on movie screens are now so routine a feature of pop culture that when “Saturday Night Live” recently parodied the proliferating pop references to sexual experimentation in a sketch titled “The Fast and the Bi-Curious,” the Entertainment Weekly critic Ken Tucker slapped the show down for using jargon that “feels old and overused.”

Unlike other reality shows, said Joe Jervis — a gay activist blogger whose recent mention of Adam Lambert on his site Joe My God generated 50,000 hits from people searching the term “Is Adam Lambert Gay?” — the contestants on “American Idol” aren’t voted off their little show business island by one another. Love them or hate them, it is up to America to choose.

“The show is squarely in the hands of the viewers,” Mr. Jervis said. It is just that vox populi aspect of “American Idol,” he said, that demonstrates radical changes “in the popular view of openly gay people.” That may be. But it is certainly also worth noting that a Revlon habit is no surefire tip-off to gayness, latent or otherwise. Ask Marilyn Manson. Ask Devendra Banhart or Brandon Flowers or any of the other members of groups sometimes called “eyeliner bands.” For that matter, why not ask Kiss?

AMERICAN IDOLatry: David Cook and David Archuleta on NBC's TODAY SHOW

The crowds packed the Rockefeller Plaza outside NBC's Today Show studio last May 29 to get a glimpse of this year's American Idol winner David Cook and runner-up David Archuleta. Cook performed 'Time Of My Life' and Archuleta sang 'Think Of Me.' They also signed autographs for the fans that showed up for the Today Show's concert series.

@ the stagedoor: CLAY AIKEN, star of Monty Python's Spamalot on Broadway

 

Youtube video by Yollie950

Joining the list of American Idol alumni who become celebrated Broadway performers is recording-artist, CLAY AIKEN. He made his Broadway debut as Sir Robin (among others) in Monty Python's SPAMALOT at the Shubert Theatre (225 West 44th Street). He will be with the production through May 4, 2008. I made pictures of Mr. Aiken signing autographs for enthusiastic Idol-worshipping Claymates at the stagedoor of the Shubert Theatre after this evening's performance. 

Directed by Mike Nichols, who won his eighth Tony Award for his direction of the new musical, Monty Python's Spamalot has a book by Eric Idle, "lovingly ripped-off" from the screenplay of the Pythons' best- loved film, Monty Python and the Holy Grail by Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin. The music is by Eric Idle and John DuPrez. The show was choreographed by Casey Nicholaw while sets and costumes were created by multiple Olivier Award-winners Tim Hatley. Hugh Vanstone is the lighting designer.

Clay Aiken, probably one of the few successful American Idol contestants, has sold more than 6 million albums, co-wrote a best-selling book, and, played six sold-out concert tours. He gained fame when he won second-place in the second season of the hit FOX television reality show "American Idol."

Winning more awards than any other show in the 2005 Broadway Season, including the Tony Award for Best Musical and the Grammy Award for Best Cast Recording, Spamalot has set box office records since opening on Broadway to critical acclaim in March, 2005 at the flagship Shubert Theatre.